1936 | Born in Brockton Mass., U.S.A. |
1958 | B.F.A Alfred University, Alfred, N.Y. |
1960-61 | Traveled in Europe and Israel |
1962 | Immigrated to Israel and became a member of Kibbutz Ein Hashofet. |
1963-69 | Exhibited drawings in group exhibitions. |
1969 | Began working in the ceramic workshop with Jean Mayer. |
1981-88 | Taught ceramics at Oranim Teacher`s College. |
1987 | Completed a project of 300 figures for the 50th anniversary of Ein Hashofet |
1988 | Curator for exhibition “Clay in the Garden”, Artists House Jerusalem., |
1995 | Artists in Residence, Clay Studio, Philadelphia. |
Since 1975 |
Periodic guest lecturer at Bezalel Art Academy, Jerusalem. |
1972 | Bat Sheva Gallery, Tel Aviv |
1976 | America- Israel Cultural Foundation, New York.Bat Sheva Gallery, Tel Aviv |
1977 | HaAretz Museum, Tel Aviv. |
1982 | The Gallery, Kibbutz Cabri. |
1984 | Herzlia Museum of Art, Herzlia, (catalogue).The Gallery, Kibbutz Eilon. |
1987 | Arad Museum, Arad. |
1989 | One- One Gallery, Tel Aviv. |
1990 | Horace Richter Gallery, Jaffa. |
1991 | Bezalel Art Academy, Jerusalem. |
1992 | Herzlia Museum of Art, Herzlia, (catalogue). |
2001 | Beit Aharon Kahana,Ramat- Gan ( catalogue). |
2003 | The Gallery, Moshav Shoeva ( catalogue ). |
2004 | The Shalom Tower Gallery , Tel – Aviv. |
2005 | The Open University, Raanana. |
2006 | Lilit, Tel-Aviv. |
2006 | The Apter Gallery,Ma’a lot. ( catalogue ). |
2008 | The Gallery, Moshav Shoeva.Gallery, Mishmar Ha’emek. |
2010 | Stefan Kuhle, Gallery, Gadera |
2012 | The Shalom tower gallery, Tel-Aviv. |
1978 | Sculpture in Clay, Omanut La ‘Am traveling exhibition (catalogue). |
1979 | Ceramics from Israel, traveling exhibition, Germany (catalogue). |
1981 | Figures in Clay, Israel Museum, Jerusalem (catalogue |
1982 | Touch, Israel Museum, Jerusalem. |
1983 | Jean Mayer and David Morris, Alef Gallery in Tel Aviv, Beit Abba Chushi in Haifa and Wilfrid Israel Museum in Kibbutz Ha’zorea. |
1984 | 13 in Clay, Jerusalem Theater, Jerusalem (catalogue). |
1985 | Toward Myth without a God, Artists House, Jerusalem (catalogue). |
1986 | No Bad Animals, Omanut La’Am,traveling exhibition (catalogue). Big and Small, Israel Museum, Jerusalem. |
1989 | Ceramics from Israel, traveling exhibition, Europe (catalogue).Israel: State of the Art, Barbican Center, London. Maker and Material, Rehovot Art Gallery M. Smilanski Center for Culture , Bat Yam Museum, Bat Yam. |
1990 | Artisans from Israel, the Alex de Rothschild Foundation, traveling exhibition, Europe (catalogue). |
1991 | Artists from Megiddo, traveling exhibition, Europe (catalogue). Artists from Israel and East Germany, Jaffa. |
1992 | Artists from Israel and East Germany, Jaffa. Israel Ceramic Artists Association traveling exhibition (catalogue). Ceramics Israel ’92, Congress of the International Academy of Ceramics, Istanbul (catalogue). |
1993 | Receptacles, Beit Aharon Kahana, Ramat Gan. Receptacles and Contents, Artists House, Jerusalem (catalogue) |
1994 | Receptacles and Contents, Bat Yam Museum, Bat Yam. Israeli Contemporary Crafts, Alex de Rothschild Foundation, traveling exhibition, Japan (catalogue). 16 Israeli Artists, Horace Richter Gallery Jaffa. Local Clay, Wilfrid Israel Museum, Kibbutz Ha’zorea. 21 Artists from Israel, Bowig Ceramic Gallery, Germany, traveling exhibition (catalogue). |
1995 | Ceramics Israel, Clay Studio, Philadelphia, traveling exhibition (catalogue). |
1998 | 20th Century International and Israeli Studio Ceramics, Sotheby’s, Tel Aviv (catalogue). |
1999 | 5 Decades of Ceramic Art in Israel, Beit Aharon Kahana Museum, Ramat Gan. Ceramic Pottery and Sculpture, cultural center, Rishon Lezion. |
2000 | Clay 2000 The Israeli Biennale for Ceramics. Erez-Israel museum. Tel-Aviv. |
2004 | Clay 2000 The Israeli Biennale for Ceramics. Erez-Israel museum. Tel-Aviv. |
2006 | Homage to Mozart, The Shalom Tower Gallery – Tel-Aviv |
2008 | Salt of the earth, Wilfrid Israel Museum, Kibbutz Ha’zorea ( catalogue ). Tower Gallery, Tel Aviv. |
2010 | Bezalel art academy, Jerusalem ( Cataloge ). |
2011 | Voyage, Beit Benyamini,- Tel-Aviv (Catalogue). |
2012 | Earth Echoes, Wilfrid Israel Museum, Kibutz Hazorea (catalogue). |
2013 | The donkey way- Nachmany gallery, Gadera. |
2013 | Sacred or sacrilege?- The open university,Raanana ( catalogue ) |
2013 | Imprinting in clay- The seventh Biennale for Israeli ceramics.Eretz-Israel museum.T.A. (catalogue). |
2015 | Vision Place, Wilfrid Israel Museum, Kibutz Hazorea (catalogue). |
2016 | Display,International center for congresses,Binyanei Hauma,Jerusalem. |
2016 | Place, Identity- Knesset Israel, Jerusalem. |
1967 | Dvora Davidson Prize for Sculpture and Painting. |
1975 | Regional Council of Megido Award for Artists. |
1988 | Honorable Mentions from the Ceramic Arts Association of Japan. |
I was born in 1936 in Brockton, Mass. I was the oldest child in my family.
By the age of five my drawings were admired by adults. In school I would sit on the side in class and enjoy drawing and was soon known as the “class artist”. My parents bought me an easel and water colors for my eleventh birthday and at the age of twelve I took part in a sculpture class.
I attended a high school that specialized in the arts, drawing, music, sculpture and theater. In the twelfth grade I took a ceramics class.
From 1954-1958 I studied ceramics at Alfred University in New York, after which I served in the army from 1958-1960. After I was discharged I traveled by bicycle in Europe and then came to Israel for the first time.
My grandfather and great grandfather lived in ancient Yerucham and I met their children-family members in Israel. Two years later I returned to Israel and became a citizen. I have been a member of Kibbutz Ein Hashofet since 1962.
My first job in the kibbutz was with the sheep. After six years I began working in my kibbutz studio, together with Jean Mayer, another ceramicist. I have since had several one-man exhibitions and also participated in group shows.
I love working with clay. I enjoy its plasticity- it lacks form, until I determine its shape. The contrast in the material attracts me: in the beginning it is very soft but after the firing it becomes stone-like.
I enjoy the surprise and the excitement upon opening the kiln, for one never knows what the results will be.
I sculpt human and animal creatures and I do my best to make them appear natural and realistic even though I add features that normally do not belong with one another.